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May thanks! Using your material to train actors for stage combat.

Big Thanks!

Hienoa työtä :)

What book/text do you secondyou recommend for a beginner to learn this style?

Very Impressive. Ive done that with a katana two handed. Very difficult.

Thank you is this very very useful

Felicidades. Hermosa técnica

Funny enough this seems to summarize the whole style.

I was made aware of my lack of fitness by this routine.

(**** 4 stars) A darker background would definitely help us see faster movements. Also, occasionally the movement is almost off-screen on the right. Otherwise ... WELL DONE!!

Earing the italian words well pronounced is icing on the cake

I would love to study with you, excellent instruction my brother 👍🏻👍🏻

Viggiani says "yeeesss"

This tutorial was extremely easy to understand. Thanks so much for your effort and hard work!

Ikka, I came here on the recommendation of a mutual friend, Davide Lupidi. FANTASTIC VIDEOS! Congratulations on the incredible work.

I've always wondered why there are Cinghiara variants of Porta di Ferro guards, but not of the Coda Longa guards? Do the sources themselves explain this, or is the reason merely hinted at and can be supported elsewhere?

Did some of this come from Chinese martial arts? At first I thought it was definitely superficial, but your stretches here are including some things that are treated as explicitly Chinese and somewhat controversial in practice and application these days! I know this was a while ago, but was there any connection that you know?

Are you Finnish? Your name sounds like it, you really look a lot like my wife's cousins in Helsinki, but your accent is all over the place! Sometimes it reminds me of the accents of my Finnish family, at least with certain sounds. Whether you are or not, your accent sounds very worldly and sophisticated to my ear at least, so please know I mean no offense. That said, I really enjoy your content here! I hope that you are still training and coaching wherever you are!

Interestingly, the algorithm is labeling this as "Chinese Martial Arts." I was honestly thinking how much this is like the swordplay for the jian/gim when I saw it! Does Bolognase swordplay have a concept of, "stickiness"? I'm really curious if it is only superficially similar in this limited capacity, or not! If they are similar, is there some relation beyond a similar weight and balance of their sword? If not, how did they both evolve separately? I'm not expecting anyone else to hand me definitibe answers, I just hope someone relates to my curiosity

We need an ASMR channel with sword drills

Thank you

How is called the "Beat" in italian?

Thank you so much for posting your knowledge. May I respectfully ask if you may know where I may be able to purchase a functional sword of this type please? Thank you

Could someone use a rapier for this style instead of a side sword? Just curious.

Bro U should put a online training program together!

how does marozzos side sword compare to other broadsword systems or rapier, ?

This is a.good channel to learn something ....

I’ve been using this routine for a couple months now and I’ve noticed a huge difference in not only my footwork but my confidence in movement. Thanks for such a great video! Footwork is underratedz

Thank you！

How does this not have a few thousand likes? Thank you for your time and effort!

номер 5

you should lock the kettlebell between your legs in order to do it more controlled and easier, trust me, it helped me out a lot, good work by the way.

Сильный.

Очень сильный, даже не напрягаются мышцы.

Благодарю мастер..

Interestingly, the streamlined bolognese style seems very familiar to old japanese styles

Having a bit of trouble with the tramazzoni. Do they all rotate in the direction of "miniature" falsi/roversi? Or dritti/mandritti? Or does it not matter and I should practice both?

an excellent teacher and teaching. i must check him up for training.

Bravo

Man footwork is so underrated when it's the most essential for the rest. Great job man!

Sidesword play looks a lot like saber but slightly more complex. Here I saw false edge parries and strikes, lots of passing footwork and lateral movement, and low body voids used both defensively and offensively. Strangely enough, nearly all of these techniques can still be used with a saber in hand, even the false edge cuts, since a lot of them have a sharpened false edge on the foible. I speculate that these aspects weren't codified in saber manuals because the saber was a weapon of war in its particular era, used either on horseback or in tight quarters where free movement is restricted (in infantry formations, shipboard, in a trench, etc.).

👏👏👏👏👍👌

The Final exercice with rapier is especially interestrong, synergy with footsteps & strikes... lethal !

I highly recommend jump rope exercises, but this is something even better. Thank you, sir!

Axel Peterson is a Nazi.

We who are about to die, salute you! Love this!

It's a Bach fugue in sword form. True genius on Dall'Agocchie's part.

Very cool.

Ok, this is the first time I find a guy named Fabrizio in fencing, finally I'm not the only one.

Great!